popwreckoning updates |  |
| Posted: 26 Mar 2009 01:28 PM PDT Diesel:U:Music’s recap of SXSW 2009 featuring interviews with artists like Wild Light and Passion Pit can be found here: Diesel:U:Music: website Related Posts |
| Posted: 26 Mar 2009 01:05 PM PDT Musical expression can be used for multiple purposes, whether it be entertainment, attention, money, or simply as a medium to communicate mental and emotional turmoil. For Derek Jordan, it just so happens to be the latter. Jordan, a singing, song-writing guitarist from Pittsburgh, pours his thoughts, observations and theories into a compilation entitled Identity (fitting, considering the subject matter). The Pennsylvania native plays a variety of alternative and indie rock, heavily influenced by classic rock greats such as Eric Clapton and Led Zeppelin. The nature of his vocals can be easily paralleled to Chris Cornell (Who happens to be Jordan's favorite vocalist–how pleasantly ironic?) and at times, if his voice is high enough, you hear a bit of Ozzy thrown in. The lyrics for each song are comprised of poetic, one-liners and are quite deep in a psychological and physiological sense. It's very difficult to determine during the first listen what the underlying meaning is in each track (as with most unique pieces of music), but give it another listen and be patient. It all makes sense in the end. For example, "Good Bye Jupiter", describes the freedom of letting go of a love that wasn't meant to be and "Vaccine" is an ode to finding yourself naturally, rather than through drugs or other self-destructive behavior (everyone's got an opinion I suppose). His classic rock rifts and engaging guitar solos provide a casual atmosphere, almost as if you are watching him jam while he has discussions with you about how he views the world and himself, in a melodic nature of course. Jordan will be having a release party for his album at the King King in Los Angeles on April 2nd, so if you happen to dig his album, pencil it in. Tracklisting: Derek Jordan: website | myspace Related Posts |
| Lisa Hannigan’s New Video for ‘I Don’t Know’ Posted: 26 Mar 2009 12:20 PM PDT Check out Lisa Hannigan’s new video for her song “I Don’t Know”. Hannigan is probably best known for her work with Damien Rice. Related Posts |
| Mp3 Minute: Little Brazil’s “Nicholas” Posted: 26 Mar 2009 11:16 AM PDT Little Brazil just dropped their newest album Son and as one of Omaha’s favorite sons, we thought it would be a good idea to feature one of the album’s stand out tracks. For those who think they are unfamiliar with Little Brazil, acquaint your self with frontman Landon Hedges. Hedges used to play alongside other Omaha favorites Tim Kasher (Cursive) and Conor Oberst (Bright Eyes) in Desaparacidos. With big guitars and amps turned up, Little Brazil rocks, but they balance their edgy sound with heartfelt, sincere lyrics. Our featured track “Nicholas” is about being born into an ever-changing world and how to become a man despite all the overwhelming changes. Guidance is found by looking toward a father figure. The rest of the album tackles other tough issues like divorce, adultery, suicide and custody battles. Little Brazil: website | myspace  Related PostsThis posting includes an audio/video/photo media file: Download Now |
| Kevin Devine - Making of Brother’s Blood Posted: 26 Mar 2009 07:39 AM PDT PopWreckoning is already calling Kevin Devine’s Brother’s Blood one of 2009’s best albums. Check out some clips and behind the scenes of his new album Brother’s Blood: Kevin Devine: website | myspace | stream @ sxsw | @ mohawks | @ north star bar | @ the picador | @ the troc balcony | interview pt. I | interview pt. II Related Posts |
| Elvis Perkins in Dearland @ Mohawks, SXSW, Austin TX Posted: 26 Mar 2009 07:06 AM PDT Elvis Perkins in Dearland is a folk rock band. Or at least that’s what I’d heard. Though in my mind, I always attributed folk rock as sounding like slightly edgier country music. I always picture a bunch of guys in flannel harmonizing with each other over a single acoustic guitar. Elvis Perkins is not that. Elvis Perkins had no flannel and instead emulated the retro rock of their sound in very 70s looking outfits, complete with rose tinted glasses. There was, however, an acoustic element to the set in the fact that instead of your typical electric bass, the group had an upright bass, which was a better fit for their long instrumental jams. As I watched Elvis Perkins, I knew I liked what I was seeing and hearing. The crisp vocals, the instrumental blend, the whole package was pleasing. At times I thought I was drawn to a specific member like the trombonist, but the band as a whole was so well balanced, my attention dwelled on each member equally–this is truly the sign of a good rock band. Elvis Perkins is a must see band. The set was one of the most solid performances I saw at SXSW. Show closer “Doom” cemented this band’s awesomeness. For this number, the drummer moved away from the typical drum set and emerged wearing a bass drum marching band style. He let loose and thumped around the stage with unparalleled energy. With priceless expressions, he was a delight to both watch and listen to. I would love to see more drummers given the chance to come to the forefront because this was a blast to end on. Set List:       Elvis Perkins in Dearland: website | myspace  Related Posts |
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