Monday, June 15, 2009

Cyclic Defrost Magazine

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El Tanbura – Friends of Bamboute: 20th Anniversary Edition (30IPS/ Planet Company)

Posted: 15 Jun 2009 06:18 AM PDT

el tambura

El Tanbura are a collective of Egyptian musicians, singers, musicians, fishermen and Sufi philosophers from Port Said, at the Gateway to the Suez Canal. It’s devotional music, chanting and basic percussion though over time they have also incorporated some light folk melodies. The music remains quite stripped down, the throbbing heartbeat of hand drums underneath the tanbura and the simsimiyya which are both harp/ lute like instruments, the nay flute and the metallic rattle of the castanets. Their music harks back to a time before synthesizers, to an ancient form of Sufi worship – hence its stripped back nature reliant on group chant like vocals. The collective who formed in 1989 meet every wednesday night to sing, dance and play at one of the local cafes as self appointed guardians of a sound that technology has interrupted. Their music with its throbbing pulse and incredible often call and response grouped male vocals tends to become quite hypnotic after a while and you could imagine the tunes flowing on forever, with the tanbura and simsimiyya weaving in and out of each other in all manner of intricate patterns. There are real links to the sound of the Bedouin Jerry Can Band, so it comes as no surprise to discover that there is some cross pollination between groups. This collection of mens music from the Egyptian hash bars of days gone by, with their rough melodic and at times quite intricate vocals and highly rhythmic music is really something quite unique, one of the most fascinating and rewarding cultural experiences you can have on compact disc.

Bob Baker Fish

Najma Akhtar Gary Lucas – Rishte (World Village/ Select Audio Visual)

Posted: 15 Jun 2009 06:22 AM PDT

gary lucas

Rishte is this utterly beguiling creation that just flows beautifully, like it was always meant to, like it’s something that has always existed together, despite the really unique ingredients. It’s not that they’re particularly groundbreaking, predominantly guitar and vocals, with the odd thud of tabla percussion and touch of violin, but really it’s about how they’re played, and about the two personalities behind them. First there’s Gary Lucas, the axe wielding Beefheart Magic Band alumni who co wrote the title track of Jeff Buckley’s Grace and who has critics lathering to pronounce him one of the greatest guitarist of his generation. Then there’s Najma Akhtar, a truly unique English born singer from Indian ancestry who is renowned for updating the Indian Ghazal tradition (a centuries old tradition of Urdu poetry set to music) during the 80’s with a fusion of contemporary and traditional instrumentation alongside her utterly unique vocal harmonies. She has collaborated with everyone from the Basement Jaxx to Page and Plant and her vocals here are absolutely remarkable. Lucas mostly plays acoustic guitar in a rhythmic and quite blues influenced style, only using electric guitar sparingly to accent certain moments, creating a shimmering cloud of sound that echoes the pitch of and interplays with Akhtar’s remarkable vocals. Akhtar sings mostly in Urdu, in her unique style, however strays into English on the duos gorgeous cover of delta bluesman Skip James’ Special Rider Blues. This song is probably the most overt example of what’s going on here, an Indian voiced fusion with the American blues. It’s incredibly successful, the duo constructing this fascinating beguiling world, Akhtar’s vocal harmonies quite complex and unexpected over Lucas’ more Western influenced playing. In keeping with this idea of a new world the duo have pretty much created a new genre and the the album retains a relative uniformity across the tracks. Yet this is not a problem, Rishte is the kind of album you just put on and let the whole album wash over you again and again.

If you’re interested there’s a fascinating podcast of the duo playing live and being interviewed on WNYC radio in New York about a week ago, which gives some great contextual information about their respective pasts, though also about how they approached the collaboration.


http://www.wnyc.org/shows/newsounds/episodes/2009/06/08

Bob Baker Fish