Monday, September 21, 2009

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New Moon Tracklisting

Posted: 21 Sep 2009 05:48 PM PDT

Here’s the soundtrack to the New Moon movie. Whatever your feelings toward Twilight, you must admit this is a heck of a soundtrack. 51J8E1J81wL._SL500_AA240_

Soundtrack hits stores Oct. 20.

Tracklisting:
01. Death Cab for Cutie – Meet Me on the Equinox
02. Band of Skulls – Friends
03. Thom Yorke – Hearing Damage
04. – Possibility
05. The Killers – A White Demon Love Song
06. – Satellite Heart
07. – I Belong to You (New Moon)
08. Bon Iver & St. Vincent – Roslyn
09. Black Rebel Motorcycle Club – Done All Wrong
10. – Monsters
11. Sea Wolf – The Violet Hour
12. Ok Go – Shooting the Moon
13. Grizzly Bear – Slow Life
14. Editors – No Sound But the Wind
15. Alexandre Desplat – New Moon (The Meadow)

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Remix Monday: Empire of the Sun

Posted: 21 Sep 2009 01:19 PM PDT

Empire of the Sun's "Walking on a Dream" was one of my favorite tracks of last year. I did a review on their album as well, which I thought was definitely a solid set of tunes centered upon their biggest hit, "Walking on a Dream". And since then there have been plenty of great remixes for this track. Walking_on_a_Dream_cover

.Empire of the Sun – Walking on a Dream
As described in my review of the album, this song is a pop, synth number, filled with ambiguous romantic lyrics that peacefully create a nostalgic atmosphere of light, ethereal melodies. The song is crafted around the synth drumbeat that softens the music to that of a heartbeat.

.Walking on a Dream – Van She Tech Remix
Van She Tech of the Australian indie poppers, Van She, always creates stunning remixes. She does so again with "Walking on a Dream." Van She doesn't alter the track all that much but they certainly infuse electronic aesthetics into it. The mid tempo speed of the track is left intact and layers of distortion are added for a slightly harsher/dance sound. Ethereal flourishes are enhanced by further layered sequencers and the remix speeds up towards the middle end for a little more fun on the floor.

.Walking on a Dream – Remix
, known for their creative remixes, do some innovative wonders to this song. The music is altered completely, with vocals the only remainder of the original. The mix starts off fairly silent with slaps on the bongos to generate an island feel. This is followed by echoed vocals, plenty of laser sounding sequencers that pierce through the music to pick up the pace. Eventually when the vocals kick in you have a variety of sounds that create a pop, electro infused Caribbean vacation that puts a bounce in your step.

.Walking on a Dream – T.B.S. Remix
There are plenty of mixes out for this track and I attempted to pick the ones that are (1) the best or (2) diverse. A lot, however, are fairly similar to one another. The T.B.S. mix is one that stuck out because they took a different route than all the others. While the other remixes attempted to keep the melody or the feel of it the same as the original; light, airy, romantic, T.B.S. said 'Eff That!' and went with the other way. They have literally killed the romantic, light nature of this song, but with a positive result. The music is pure electronic distortion, grinding and syncopated rhythms, for a very harsh feel. The niceness of the original is chucked to be replaced with a melody that is gritty, edgy and with an attitude.

Empire of the Sun: website | myspace | Walking on a Dream review

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The Mars Volta @ the Midland Theater, Kansas City

Posted: 21 Sep 2009 08:00 AM PDT

The Midland theater’s classical opera house art style was the perfect setting for the Mars Volta’s show. It was truly an appropriate stage for the masterful musicians.The dramatic architecture of the theater complimented the show’s storybook-esque theme.Mars Two

The Mars Volta had four different backdrops that were featured during different parts of the show. It was like a new chapter was beginning every time a backdrop changed.

Chapter 1: The Arrival
The first backing of the evening was printed with swirling images of eyes and black wings.

Chapter 2: Welcome to the madness
Before the show began, the cloth quickly disappeared and was replaced with a Tibetan inspired backdrop.

The Mars Volta opened with “Son et Lumiere,” the first song from De-Loused in the Comatorium. During the song, lights of deep red and blue, and bright pink and green flooded the stage. The lights illuminated the backing image, shifting the artwork into two distinct images. (keyboards), Juan Alderete (electric bass), Marcel Rodriguez-Lopez (percussion, synths), and Thomas Pridgen (drums) surrounded (lyrics, vocals), and Omar A Rodriguez-Lopez (guitars); a mass of instruments lined the stage and two flags hung by the drum set.

Zavala’s energy filled the entire room. As he ran across the stage, his dark clothing and wild curly locks complimented the stage’s colorful background. Zavala flipped his white mic stand over the heads of his band mates, reminiscent of his days in At The Drive In. As Volta jammed into their next song, Zavala sprung up, twisting his body into a semi-flip. When Volta began to play “Cotopaxi,” people in the front section of the audience began to wave their arms hypnotically. During the song, I noticed something smoking by Owens’ keyboards. While at first I thought that perhaps his instrument had lit aflame from his speedy fingers, I discovered the “smoke” was in fact steam rising from Zavala’s beverage.

Chapter 3: Psychotic trips Mars Volta
Before the start of “Roulette Dares (The Haunt Of),” the backdrop changed again. This time, the cloth had a large collage of faces. Zavala reached an even higher level of energy during this portion of the show (I know: I didn’t think it was possible either). He swung around the stage, swaying like a matador preparing to fight. The singer suddenly jumped across the stage towards the set of drums, and balanced on Pridgen’s bass drum, which was covered in art. The song soon faded into a cool, sexy jam that was sprinkled with a series of electronic blips and bloops, and Rodriguez-Lopez’s whale-like guitar chords.

Later in the evening when Rodriguez-Lopez broke into a solo, the crowd went wild. Following his solo, Pridgen’s talent was showcased. He has some of the cleanest, most precise drumming abilities I’ve ever heard. While the audience jumped and flailed, a series of green and purple lights shown over the crowd, causing everyone to look as if they were vibrating back and forth in sync to the music.

The band didn’t say much during their performance. Although, Zavala did take a moment to dedicate a song to those in the crowd who had supported them from the beginning. He thanked the people that allowed them to crash at their place, and thanked the people who had faith that the two fuck-ups from their last band could make this one.

Chapter 4: The end
After his heart-felt thanks, another back drop was revealed that contained a haunting face, and skeletons of fish that appeared to be covered in hoods. The band’s performance of “Luciforms” created distinct mental images of an abandoned, wrecked ship. Zavala seemed to catch the song’s words as they came out of his mouth, and mold them into invisible shapes.

Volta finished up the show with the bluesy, “The Widow,” and the manic “Wax Simulacra.”

Although Volta put on an hour and a half show, no one was ready to leave the theater at the end of the night. After the house lights came up, people continued to stand and wait, hoping the Mars Volta would appear again.

Set List:
Son et Lumiere
Inertiatic ESP
Goliath
Cotopaxi
Roulette Dares (The Haunt Of)
Viscera Eyes
Halo Of Nembutals
Eunuch Provocateur
IIyena
Teflon
Drunkship Of Lanterns
Luciforms
The Widow
Wax Simulacra

Mars Volta: website | myspace | @ bonaroo 2009

Set list courtesy of Setlist.fm

Photos by: Joshua Hammond

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Lights New Single, “Savior”

Posted: 21 Sep 2009 07:00 AM PDT

Imagine a world in which the lovechild of Imogen Heap and Owl City produced a tiny robotic offspring with a heart made out of moog. If that world existed, that robot would be Lights.  It also, would be perfect.

Thankfully, there is no need for you to look for alternate planets to score such a mix. Lights’ new single drops right at the heart of a movement overflowing with sunshine synth-pop lullabies.   This Canadian epic indie pop new single “Savior” is no doubt destined to cause a stir both on the airwaves and in the hearts of fans across the world.  Look for it to drop October 6th with the release of The Listening on Warner Brother Records.

Lights: website | myspace

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